Course Profile   Literacy Skills:  Reading and Writing, Grade 11, Open, Catholic

 

Unit 2:  Short Fiction

Time:  12 hours (including 5 from Unit 1)

 

Activity 1 | Activity 2 | Activity 3 | Activity 4 | Activity 5 | Activity 6

Unit Description

The short fiction unit will provide students with the opportunity to strengthen their essential reading and writing skills. Students will expand their vocabulary and extend their personal knowledge by exploring a variety of contemporary and other types of short fiction. By being introduced to the characteristics of the short story and the elements of plot, students will continue to develop their ability to locate information, identify main ideas, make inferences, and draw conclusions. Students will be encouraged to respond personally and creatively to the readings by reflecting on the social issues raised in the literary selections. In addition, students will improve their ability to communicate effectively in a variety of written forms by using supporting details from the short fiction and practising all steps of the writing process. This unit’s culminating activity will require students to create and write a short fictional narrative. As with all units in this course, the content and activities will allow students to demonstrate their God-given potential as life-long learners.

Strand(s) and Expectations

Ontario Catholic School Graduate Expectations

CGE1a - illustrate a basic understanding of the saving story of our Christian faith;

CGE1c - actively reflect on God’s Word as communicated through the Hebrew and Christian scriptures;

CGE1e - speak the language of life “recognizing that life is an unearned gift and that a person entrusted with life does not own it but that one is called to protect and cherish it” (Witnesses to Faith);

CGE1j - recognize that sin, human weakness, conflict and forgiveness are part of the human journey and that the cross, the ultimate sign of forgiveness, is at the heart of redemption (Witnesses to Faith);

CGE2a - listen actively and critically to understand and learn in light of gospel values;

CGE2b - read, understand, use written materials effectively;

CGE2c - present information and ideas clearly and honestly and with sensitivity to others;

CGE2d - write and speak fluently one or both of Canada’s official languages;

CGE3b - create, adapt, and evaluate new ideas in light of the common good;

CGE3c - think reflectively and creatively to evaluate situations and solve problems;

CGE3d - make decisions in light of gospel values with an informed moral conscience;

CGE4a - demonstrate a confident and positive sense of self and respect for the dignity and welfare of others;

CGE4b - demonstrate flexibility and adaptability;

CGE4c - take initiative and demonstrate Christian leadership;

CGE4e - set appropriate goals and priorities in school, work and personal life;

CGE4f - apply effective communication, decision-making, and problem solving, time and resource management skills;

CGE5a - work effectively as an interdependent team member;

CGE5b - think critically about the meaning and purpose of work;

CGE5e - respect the rights, responsibilities, and contributions of self and others;

CGE5f - exercise Christian leadership in the achievement of individual and group goals;

CGE5g - achieve excellence, originality, and integrity in one’s own work and supports these qualities in the work of others;

CGE7b - accept accountability for one’s own actions;

CGE7d - promote the sacredness of life;

CGE7f - respect and affirms the diversity and interdependence of the world’s peoples and cultures;

CGE7g - respect and understand the history, cultural heritage, and pluralism of today’s contemporary society;

CGE7j - contribute to the common good.

Strand(s):  Reading Skills, Writing Skills

Overall Expectations

REV.01 - demonstrate an understanding of a variety of contemporary texts;

REV.02 - demonstrate an understanding of the elements of a variety of contemporary texts, with a focus on short plays, short stories, novels, poetry, and newspaper and magazine articles and opinion pieces;

REV.03 - explain the use of specific elements of style in a variety of contemporary texts;

REV.04 - use a variety of strategies to understand words encountered in texts;

WRV.01 - investigate information and ideas for written work, using a variety of print and electronic sources;

WRV.02 - demonstrate an understanding of the forms of writing appropriate for specific purposes and audiences, with an emphasis on using the forms to communicate information clearly and accurately;

WRV.03 - organize information, ideas, and supporting details in written work;

WRV.04 - revise drafts of written work, collaboratively and independently, with an emphasis on improving content, clarity, and coherence;

WRV.05 - edit, proofread, and publish written work, using correctly the grammar, usage, spelling, and punctuation conventions of standard Canadian English, as specified for this course, with the support of print and electronic resources where appropriate.

Specific Expectations

RE1.01 - read a variety of self-selected and teacher-assigned contemporary texts for different purposes, with an emphasis on locating important information, identifying main ideas and supporting details, extending personal knowledge and responding imaginatively (e.g., read a short story as a model for writing; read a magazine article on a topic of personal interest and report on the main ideas and details to a small group);

RE1.02 - use and assess strategies before, during, and after reading to understand a variety of contemporary texts, with an emphasis on setting a purpose for reading, making predictions about content, skimming and scanning, using prior knowledge to understand text, predicting and confirming while reading, discussing main ideas and supporting details, rereading sections, and summarizing key points (e.g., skim texts to locate specific ideas; discuss the effectiveness of a reading strategy modelled by the teacher; assess the appropriateness of a reading strategy used during a guided reading session; compare reading strategies used by various students to read the same passage; identify their own strengths and weaknesses in reading and set goals for improvement);

RE1.04 - make inferences, draw conclusions, and make judgements based on implicit and explicit information in texts (e.g., make judgements about a character’s values based on implicit and explicit information in a short story; read a magazine article and discuss the perspective of the writer; chart explicit information about a character in a short story; state the main idea in an opinion piece and list supporting details; differentiate between fact and opinion in a magazine article);

RE1.05 - compare their own interpretations of texts with those of others (e.g., record responses to self-selected materials and share them with others in a small group; chart and compare various responses to the actions of a character in a novel; discuss different interpretations of the same text and suggest possible reasons for the differences; compare their own preferences for authors, genres, and topics with those of peers; explain how personal values and perspectives influence responses to and interpretations of texts);

RE2.02 - use knowledge of the elements of the short story, with an emphasis on events, character, setting, and theme, to understand and interpret short stories;

RE3.01 - describe how particular words and phrases in a text help communicate ideas, feelings, and information effectively (e.g., discuss how descriptive language helps create a mood in a short story or poem; explain how connecting words help clarify the sequence in a set of instructions; describe how precise technical words strengthen the message in an article about safety);

RE3.02 - explain how authors use simile, metaphor, personification, and foreshadowing to communicate thoughts, feelings, and information (e.g., explain the explicit comparison made in a simile and discuss how it adds to meaning; identify the implied comparison made in a metaphor and relate it to the theme of a poem; describe the use of literary devices such as hyperbole, personification, irony, and simile for impact or emphasis in texts);

RE4.01 - preview vocabulary before reading (e.g., skim and scan texts to identify unfamiliar words and look them up in a dictionary or glossary);

RE4.02 - use word-identification strategies while reading (e.g., sound out unfamiliar words; scan texts for key words; read ahead in the passage to find or deduce the meaning of an unfamiliar word or phrase; use root words, prefixes, and suffixes to determine the meaning of specialized vocabulary);

RE4.03 - use context to determine the meaning of unfamiliar words (e.g., use the surrounding information and vocabulary in a sentence or paragraph to deduce or infer the meaning of abstract or specialized words; use accompanying illustrations, diagrams, and charts to determine the meaning of unfamiliar words and phrases in a textbook);

RE4.04 - use print and electronic dictionaries, thesauri, and reference texts to clarify the meaning and pronunciation of antonyms, synonyms, homophones, homonyms, specialized language, and commonly confused words;

WR1.01 - describe and use strategies to generate ideas and explore topics for writing (e.g., brainstorm approaches to a topic; use graphic organizers to connect and structure ideas; use charts and graphs as sources of information; identify key words to narrow a topic);

WR2.01 - demonstrate an understanding of form in written work, with an emphasis on narratives, summaries, reports, letters, and short essays (e.g., write frequently on self-selected and teacher-assigned literary and general-interest topics in a variety of forms);

WR2.03 - use the appropriate person and level of language for a specific form, purpose, and audience (e.g., use formal language in a short essay describing the theme of a novel studied; use the impersonal third person consistently in the summary of a report; use the first person in a friendly letter);

WR3.01 - construct complete sentences to present information and ideas, using a variety of sentence types (e.g., compose a variety of single, compound, and complex sentences on a topic; alter the word order in sentences for emphasis and variety);

WR3.02 - organize sentences about a topic into coherent and unified paragraphs (e.g., use a topic sentence to state the main idea of a paragraph; use relevant details to develop the main idea; use a specific pattern, such as logical, chronological, or climactic order, to organize information in a paragraph);

WR3.03 - organize paragraphs into coherent and unified narratives, reports, letters, and short essays (e.g., maintain a consistent point of view in a narrative; use transition words to link paragraphs in a letter; state the controlling idea in the opening paragraph of a short essay);

WR4.01 - revise drafts to strengthen the content (e.g., use feedback from a partner to identify incomplete ideas or lack of details; read passages aloud to identify unnecessary or incorrectly placed information);

WR4.02 - revise the organization of drafts to improve clarity of thought and expression (e.g., use a highlighter to track the logical development of ideas; use a word-processing program to reorder sentences, paragraphs, or sections of a draft; combine simple sentences to show a clear relationship between ideas);

WR4.03 - revise drafts to improve coherence (e.g., signal transitions with appropriate transition words and phrases; check for consistency between the topic sentence and the concluding statement);

WR4.04 - revise drafts to ensure consistent use of the appropriate person and level of language to suit the form, purpose, and audience (e.g., maintain consistent use of the impersonal third person in the summary of a report; check the use of the first person in a friendly letter; review the use of formal language in a short essay describing the theme of a novel studied);

WR4.05 - use print and electronic dictionaries, thesauri, and reference texts to select precise and appropriate vocabulary and find alternative phrasings for awkward constructions (e.g., select and use specialized vocabulary to clarify technical information and complex concepts);

WR5.01 - incorporate information from research into written work by using quotation marks and consistent documentation;

WR5.02 - describe and use strategies to edit, proofread, and correct written work (e.g., use peer feedback to identify errors in sentence structure and grammar; use spell checkers to flag possible spelling errors; replace incorrectly used homophones and homonyms);

WR5.03 - identify and use appropriate and effective techniques and formats to publish written work (e.g., word-process the final copy of a short story; edit and format a class anthology of effective student writing; add diagrams and charts to a report for a bulletin-board display);

WR5.04 - edit and proofread written work, identifying and correcting errors according to the requirements of grammar, usage, spelling, and punctuation listed below:

- Grammar and Usage: Identify the rules of subject-verb and pronoun agreement and apply them correctly;

- Grammar and Usage: Identify and use correctly the principal parts of irregular verbs;

- Spelling: Identify and apply a wide variety of spelling patterns, rules, and strategies to recognize and correct spelling errors (e.g., use knowledge of word patterns, word families, root words, prefixes, suffixes, and syllabication to check spelling; use a variety of spelling references, such as dictionaries and spell checkers, to flag possible errors);

- Spelling: Spell correctly specialized vocabulary, unfamiliar words, and words that deviate from regular spelling patterns (e.g., check a dictionary for the correct spelling of abbreviations and technical terms);

- Punctuation: Identify the use of effective punctuation when reading and use punctuation correctly when writing.

Activity Titles (Time + Sequence)

Activity 1

“Nuts and Bolts”: Elements and Genres

450 minutes

Activity 2

“And the theme is … “ Theme

  90 minutes

Activity 3

“The way I see it…”Point of View/Viewpoint

  90 minutes

Activity 4

“It was a dark and stormy...” Setting and Atmosphere

  90 minutes

Activity 5

“So what happened?” Summary and Plot

120 minutes

Activity 6

“Once upon a time...” Be the author

180 minutes

Unit Planning Notes

·         In addition to the 12 hours allotted for this unit, approximately five hours have been assigned for reinforcing the essential reading and writing skills covered in Unit 1 of this course. These hours are on going throughout the unit.

·         The first activity includes the introduction to short fiction as well as time for the students to read and analyse six or seven short works of fiction to identify the characteristics and elements commonly found in them. Subsequent activities are interrelated, providing a detailed study focusing on one of the works of fiction and the characteristics it best displays.

·         Activity 1 will not be completed until Activity 5 is finished; the quiz will be administered at that point.

·         Prior to beginning the unit, the teacher will choose a well-known short parable and a short fable that will serve as a good introduction to the characteristics and elements of short fiction.

·         Choose a variety of short stories that embrace Gospel values and ethics as well as Canadian cultural diversity, and represent different types of fiction such as fairy tales, fantasies, science fiction, Canadian myths, and regional Canadian legends.

·         Promote a positive, encouraging environment where students can read silently without interruption, or will voluntarily take the risk to read aloud either alone or with others.

·         Reserve the Library/Resource Centre and Computer Lab for the publishing and/or editing of the culminating activity.

·         The teacher may wish to make arrangements in advance for the students to share their stories with the community, e.g., in a primary classroom, at a Senior Citizens’ home, at a YM/YWCA children’s playgroup, etc.

·         Refer to the students’ IEPs for suggested accommodations and/or modifications.

Prior Knowledge Required

Students will:

·         have had some experience reading short fiction in previous English courses;

·         have had some experience in creative writing in previous English courses;

·         have some knowledge of computers in order to use word processing software;

·         be aware of school rules and regulations governing the use of computers and the Internet;

·         be aware of Gospel values and ethics in order to work within those confines while responding creatively to the unit.

Teaching/Learning Strategies

·         Teacher-led Socratic lessons

·         Small group and individual oral, guided, paired, silent, taped and teacher-modelled reading

·         Teacher led class discussions on the content, theme, etc. of the fiction studied

·         Note taking and note making

·         Brainstorming

·         Portfolio of Written Work

·         Personal Dictionary

·         Writing/editing/revising as a process

·         Student-teacher conferencing

·         Peer conferencing

·         Collaborative learning

·         Word-processing

·         Use of technological aids for editing

Assessment and Evaluation

Formative Assessment

·         Portfolio of Written Work entries

·         Personal Dictionary entries

·         Conferences to provide feedback on writing

·         Teacher-provided rubrics or checklists to assess individual activities

·         Informal teacher observation of students during the various activities

·         Checklist for Group Work (see Appendix 1.14)

·         Peer editing checklist (see Appendix 2.2)

·         Quiz on the characteristics and elements of short fiction

Summative Evaluation

·         Short Fiction Rubric (see Appendix 2.3)

·         Portfolio of Written Work Rubric (see Appendix 1.18)

·         Personal Dictionary Rubric (see Appendix 1.17)

Accommodations

·         Preferential/strategic seating

·         Dual language dictionary

·         Peer tutor or Special Education assistance to complete assignments

·         Graphic organizers to assist with culminating and other assignments

·         Assistance with organizational skills

·         Review time management techniques

·         Flexible timelines and assignment length

·         Alternate location for writing quiz

·         Enlarged print texts

Resources

Holy Bible, New Revised Standard Version, Catholic Edition. Tennessee: The Catholic Bible Press, a division of Thomas Nelson, Inc., 1993.

New Jerome Biblical Commentary and other such books available from the Religion Department

Contemporary short story anthologies which reflect the diversity of Canadian culture such as:

Barry, James, et al. Coast to Coast. Scarborough: Nelson, Canada, 1995.

Barry, James, et al. Laugh Lines. Scarborough: Nelson, Canada, 1993.

Barry, James, et al. On the Edge. Scarborough: Nelson, Canada, 1994.

Borovilos, John. Breaking Through, A Canadian Literary Mosaic. Scarborough: Prentice Hall, Canada Inc., 1990.

Hancock, Geoff, ed. Silver Anniversary Anthology: Canadian fiction Magazine. Kingston, Ontario: Quarry Press Inc., 1997.

Hannon, Ed, et al. Canadian Experience in Perspective. Toronto: Harcourt Brace, Canada Inc., 1994.

Saliani, Don. The Environment: Exploring Fiction, Poetry, and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Salani, Don. Immigrant Experiences: Exploring Fiction, Poetry, and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Terpening Jon. Science in Literature: Exploring Fiction, Poetry and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Tuinman, Jaap, et al. Breaking Ground. Toronto: Ginn, 1992.

Dictionaries and thesauri

Computer software

Anthologies of children’s literature that include fables and fairy tales

Short story magazines such as:

Story Magazine. Story Press, Cincinnati, Ohio.

Storyteller: Canada’s Short Story Magazine. Tyo Communications, Kanata, Ontario.

Magazines for writers including:

Writer’s Digest. F&W Publications, Cincinnati, Ohio.

Writer’s Journal. Val-Tech Media, Perham, Minnesota.

Taped short stories (teacher-produced)

Public domain videos of short stories, etc.

 

Activity 1:  “Nuts and Bolts”: Elements and Genres

Time:  450 minutes

Description

The purpose of this activity is to review and further explore the characteristics of short fiction as well as to the elements of plot, character, setting, theme, point of view, conflict, suspense, foreshadowing and irony. Students will read and discuss a variety of short works of fiction. Students will use their Portfolios of Written Work to respond and react to the short fiction they read and they will continue to add new vocabulary and terminology to their personal dictionaries. Students will write a teacher-prepared quiz on the characteristics and elements of short fiction.

Strand(s) and Expectations

Ontario Catholic School Graduate Expectations:  1a, 1c, 1e, 1j, 2a, 2b, 2c, 2d, 3b, 3c, 3d, 4a, 4e, 4f, 5b, 5e, 5f, 7b, 7f, 7g, 7j.

Strand(s):  Reading and Writing

Overall Expectations:  REV.01, REV.02, REV.03, REV.04, WRV.01, WRV.02, WRV.03.

Specific Expectations:  RE1.01, RE1.02, RE1.04, RE1.05, RE2.02, RE3.01, RE3.02, RE4.02, RE4.03, WR1.01, WR2.01, WR2.03, WR3.01, WR3.02.

Planning Notes

·         The 450 minutes allocated to this activity will cover all the time necessary for reading the short fiction in this unit. The reading will be done in stages with Activities 2 to 5 being completed prior to the quiz for Activity 1.

·         Choose a variety of short fiction for students to read, including a parable and a fable, as well as a choice of fairy tale, fantasy, science fiction, Canadian myth, regional/Canadian legend, romance, etc., and be prepared to explain and discuss the characteristics and elements of each work selected. Short fiction used in this activity should reflect the diversity of Canadian culture.

·         Prepare overheads or handouts explaining the general characteristics and elements of a short story.

·         Collect samples of short fiction to have in the class for students to read if they finish activities ahead of others.

·         Design a quiz on the characteristics and elements of short fiction to be given at the end of Activity 5.

·         Reserve time in the Library/Resource Centre and Computer Lab for publication of the culminating activity and use during other activities as needed.

·         Build in time for the students to follow the steps of the writing process in each of the activities that follow.

·         Promote a positive, encouraging environment where students will read silently without interruption, or voluntarily take the risk to read aloud either alone or with others.

·         Refer to the students’ IEPs in order to make the necessary accommodations and/or modifications.

Prior Knowledge Required

Students will:

·         have some experience in reading short stories in prior English courses;

·         be aware that short stories, by their nature, are works of fiction;

·         understand that there are different types of short fiction including parables, fables, fairy tales, adventure, mystery, and science fiction;

·         have some experience discussing the elements of a short story in a very general context;

·         have some experience using a Portfolio of Written Work;

·         understand the importance of adding to their Personal Dictionary.

Teaching/Learning Strategies

·         The teacher will review the different methods people use to learn new information and skills (seeing it done, hearing about it, doing it themselves) as they apply to the reading process (following along when someone else is reading, reading it themselves either aloud or silently, making notes of key points to remember).

·         The teacher will review the concept and use of a Portfolio of Written Work. Each assigned journal entry will consist of: the date, the title and author of the selection read, a personal comment on the item, and a carefully written answer to a specific question supplied by the teacher to enhance the reading experience. The teacher may opt to allow students to generate the topic for responses based on issues raised by the students during the discussions that follow each reading activity. Students should be encouraged to use the personal section of the Portfolio of Written Work as a diary in which to write comments, ideas, etc. for use in this and other parts of the course.

·         Through discussions based on the students’ prior experience and knowledge of short fiction, the teacher will review the characteristics of short fiction. The subsequent activities will introduce students to a detailed examination of the elements of plot, setting and atmosphere, theme, and point of view. Conflict, suspense, foreshadowing and irony will be discussed briefly during the reading of the fiction and questions related to its type, and content will be used.

·         The teacher will read a parable (see Appendix 6.1) and a fable to the students, provide them with an appropriate guiding question based on the material selected for reading and discussion, and allow students time to write in the Portfolio of Written Work after each. Students will be encouraged to expand their Personal Dictionaries after each reading.

·         The teacher will lead students in a discussion on the content of each selection, irony or foreshadowing that may be evident, and the lessons to be learned from the parable and the fable.

·         The teacher will ask students to explain what they believe the word “theme” means as it relates to literature. Ask students to explain how theme differs from moral. Following the discussion, students will complete Activity 2.

·         When Activity 2 is complete, the teacher will have students read another type of short fiction. Following the reading, the class will examine the fiction’s theme and content and then examine point of view and perspective. As a class, students will discuss the social implications of these characteristics as they pertain to the work of fiction read, and respond to the discussion in the Portfolio of Written Work. Any new vocabulary will be added to the Personal Dictionary.

·         Students will then complete Activity 3.

·         When Activity 3 is complete, students will read another type of short fiction, discuss its theme, content, point of view, and focus on its setting and atmosphere. Students will respond to a topic/question selected by the teacher in their Portfolio of Written Work, add to their Personal Dictionaries, and begin Activity 4.

·         At the completion of Activity 4, students will read a final type of short fiction, discuss its theme, content, point of view, setting and atmosphere, and focus on the difference between a plot outline and a summary of a work of fiction. A Portfolio of Written Work entry, Personal Dictionary entries and Activity 5 follow the discussion.

·         After Activity 5 is completed, the teacher will review all the characteristics and elements of short fiction studied in Activity 1.

·         Students will write a teacher-prepared quiz on the characteristics and elements of short fiction.

Assessment/Evaluation Techniques

·         Informal teacher observations of students during the reading and discussions

·         Peer/teacher conferencing

·         Feedback on oral reading

·         Comprehension questions on content, characteristics, and elements of the short stories studied

·         Completed Portfolio of Written Work entries

·         Accurate Personal Dictionary entries

·         Quiz on the characteristics and elements of short stories

Accommodations

·         Preferential/strategic seating

·         Dual language dictionary

·         Peer tutor or Special Education assistance to complete assignments

·         Graphic organizers to assist with culminating and other assignments

·         Assistance with organizational skills

·         Review time management techniques

·         Flexible timelines and assignment length

·         Alternate location for writing quiz

·         Enlarged print texts

Resources

Holy Bible, New Revised Standard Version, Catholic Edition. Tennessee: The Catholic Bible Press, a division of Thomas Nelson, Inc., 1993.

New Jerome Biblical Commentary and other such books available from the Religion Department

Contemporary short story anthologies which reflect the diversity of Canadian culture such as:

Barry, James, et al. Coast to Coast. Scarborough: Nelson, Canada, 1995.

Barry, James, et al. Laugh Lines. Scarborough: Nelson, Canada, 1993.

Barry, James, et al. On the Edge. Scarborough: Nelson, Canada, 1994.

Borovilos, John. Breaking Through, A Canadian Literary Mosaic. Scarborough: Prentice Hall, Canada Inc., 1990.

Hancock, Geoff, ed. Silver Anniversary Anthology: Canadian fiction Magazine. Kingston, Ontario: Quarry Press Inc., 1997.

Hannon, Ed, et al. Canadian Experience in Perspective. Toronto: Harcourt Brace, Canada Inc., 1994.

Saliani, Don. The Environment: Exploring Fiction, Poetry, and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Salani, Don. Immigrant Experiences: Exploring Fiction, Poetry, and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Terpening Jon. Science in Literature: Exploring Fiction, Poetry and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Tuinman, Jaap, et al. Breaking Ground. Toronto: Ginn, 1992.

Dictionaries and thesauri

Computer software

Anthologies of children’s literature that include fables and fairy tales

Short story magazines such as:

Story Magazine. Story Press, Cincinnati, Ohio.

Storyteller: Canada’s Short Story Magazine. Tyo Communications, Kanata, Ontario.

Taped short stories (teacher-produced)

 

Activity 2:  “And the theme is ” Theme

Time:  90 minutes

Description

The purpose of this unit is to help students identify the theme of a story. Students will use a teacher-created version of the game “Twenty Questions” to help them determine the theme of several short stories.

Strand(s) and Expectations

Ontario Catholic School Graduate Expectations:  1c, 1e, 2b, 2c, 2d, 3c, 4b, 4c, 4f, 5a, 5b, 5e, 5f, 7f, 7g, 7j.

Strand(s):  Reading Skills, Writing Skills

Overall Expectations:  REV.01, REV.02, REV.03, REV.04, WRV.01, WRV.02, WRV.03.

Specific Expectations:  RE1.01, RE1.02, RE1.04, RE1.05, RE2.02, RE3.01, RE3.02, RE4.01, RE4.02, RE4.03, RE4.04, WR1.01, WR2.01, WR3.01.

Planning Notes

·         Using Appendix 2.1, create a version of the game “Twenty Questions” to use with the class.

·         Select a short fiction with a common theme such as greed, or jealousy, and prepare a short synopsis of the content of the story without giving any details. For example: The Hockey Sweater, by Roch Carrier, is about children playing pick-up hockey in Quebec.

·         Organize the class into mixed-ability groups of four or five students.

·         Choose a variety of very short narratives, each with a different theme (one narrative per group).

·         Have enough copies of the narrative for each member of a single group.

·         Promote a positive, encouraging environment where students will voluntarily risk reading aloud, either alone or with others.

·         With the students, design a checklist to track individual participation in each group.

·         Refer to the students’ IEPs for necessary accommodations and/or modifications.

Prior Knowledge Required

Students will:

·         know how to design and ask general questions requiring yes/no answers;

·         pay close attention to understand the information being presented.

Teaching/Learning Strategies

·         Building on the discussion in Activity 1, the teacher will ask the students to identify the theme of the parable and that of the fable.

·         When the themes have been identified correctly, the teacher will ask students to explain what they did to identify the theme. Discuss the various strategies suggested by the students.

·         The teacher will explain the rules of the “Twenty Questions” game and discuss how the strategy can be used to identify the theme of a story.

·         The teacher will read the title and synopsis of a previously selected work of fiction to the class.

·         The class will ask the teacher questions requiring yes/no answers to identify the theme of the story.

·         Students will be divided into small groups. Each group will be given a different short narrative to read, and then they will write a brief synopsis of it to present to other groups. The synopsis should be only one or two sentences long and give no details of the plot.

·         Students will, according to rules set in a teacher-created version of the game “Twenty Questions”, develop a number of general Yes/No questions to ask another group to identify the theme of that group’s narrative.

·         Each group will present their story title and synopsis to the class. Endeavoring to need the fewest possible questions before knowing the theme of a group’s story, each group will ask the group presenting questions. When that group believes it has the correct answer, the next group may ask questions or pass if they know the answer.

·         Once the theme is discovered, the teacher will lead a class discussion on that particular theme and its relevance to their lives or life/society in general.

·         Students will make note of the questions which proved most valuable in identifying theme.

·         The teacher will make available, to those students interested, copies of the short stories discussed that they may wish to read.

Assessment/Evaluation Techniques

Formative Assessment

·         Informal teacher observation of participation in whole class and small group activities

·         Peer/self-evaluation of group participation

·         Portfolio of Written Work entries

·         Personal Dictionary entries

Accommodations

·         Preferential/strategic seating

·         Dual language dictionary

·         Peer tutor or Special Education assistance to complete assignments

·         Graphic organizers to assist with culminating and other assignments

·         Assistance with organizational skills

·         Review time management techniques

·         Flexible timelines and assignment length

·         Alternate location for writing quiz

·         Enlarged print texts

Resources

Holy Bible, New Revised Standard Version, Catholic Edition. Tennessee: The Catholic Bible Press, a division of Thomas Nelson, Inc., 1993.

New Jerome Biblical Commentary and other such books available from the Religion Department

Contemporary short story anthologies which reflect the diversity of Canadian culture such as:

Barry, James, et al. Coast to Coast. Scarborough: Nelson, Canada, 1995.

Barry, James, et al. Laugh Lines. Scarborough: Nelson, Canada, 1993.

Barry, James, et al. On the Edge. Scarborough: Nelson, Canada, 1994.

Borovilos, John. Breaking Through, A Canadian Literary Mosaic. Scarborough: Prentice Hall, Canada Inc., 1990.

Hancock, Geoff, ed. Silver Anniversary Anthology: Canadian fiction Magazine. Kingston, Ontario: Quarry Press Inc., 1997.

Hannon, Ed, et al. Canadian Experience in Perspective. Toronto: Harcourt Brace, Canada Inc., 1994.

Saliani, Don. The Environment: Exploring Fiction, Poetry, and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Salani, Don. Immigrant Experiences: Exploring Fiction, Poetry, and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Terpening Jon. Science in Literature: Exploring Fiction, Poetry and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Tuinman, Jaap, et al. Breaking Ground. Toronto: Ginn, 1992.

Dictionaries and thesauri

Short story magazines such as:

Story Magazine. Story Press, Cincinnati, Ohio.

Storyteller: Canada’s Short Story Magazine. Tyo Communications, Kanata, Ontario.

Taped short stories (teacher-produced)

 

Activity 3:  “The way I see it…” Point of View/Viewpoint

Time:  90 minutes

Description

The purpose of this activity is to differentiate between the writer’s point of view and a particular character’s viewpoint or perspective and increase the students’ understanding of character behaviour and motivation. Students will demonstrate their comprehension of the story and its theme. Students will assume the role of one of the characters in the short story and write a diary entry or a letter to another character in which they will explain their involvement in, or their opinion of, an event in the story from that particular character’s viewpoint.

Strand(s) and Expectations

Ontario Catholic School Graduate Expectations:  2a, 2b, 2c, 2d, 3b, 3c, 4b, 4e, 4f, 5b, 5g.

Strand(s):  Reading Skills, Writing Skills

Overall Expectations:  REV.01, REV.02, REV.04, WRV.01, WRV.02, WRV.03, WRV.04, WRV.05.

Specific Expectations:  RE1.04, RE2.02, RE4.03, WR1.01, WR2.01, WR2.03, WR3.01, WR3.02, WR3.03, WR4.01, WR4.02, WR4.03, WR4.04, WR5.02, WR5.03, WR5.04.

Planning Notes

·         Gather examples of writing demonstrating a variety of points of view (1st person, 3rd person, omniscient). The samples may be taken from novels, short fiction, textbooks, etc.

·         Gather examples of formal, business, and personal letters, newspaper editorials, and letters to the editor.

·         Gather examples of published diary entries such as those found in The Diary of Anne Frank.

·         Refer to students’ IEPs and make the necessary accommodations and/or modifications.

·         Reserve the computer lab for students to use word processing software and editing devices.

Prior Knowledge Required

Students will:

·         know the basic form of a personal letter or diary entry from previous English courses and personal experience;

·         understand that a less formal tone and more common language are more appropriate for a personal letter or diary entry.

Teaching/Learning Strategies

·         The teacher will discuss the various points of view from which an author can write a story (first person, third person, and omniscient) and provide students with samples of stories each using a different point of view. Students will examine each style for its strengths and weaknesses.

·         The teacher will divide the class into small groups.

·         Using the sample stories previously gathered by the teacher and given to the groups, students will identify the author’s point of view in the story and explain how that point of view is most effective for the story line.

·         Students will write a response in their journals evaluating the three points of view and explaining which one they are likely to select for their own short story and why.

·         The teacher will ask students to explain the difference between point of view, which they have just examined, and viewpoint.

·         The teacher will discuss how personal experience and public opinion play a part in the viewpoint the author selects for his/her characters and the way they are described (good guys, bad guys).

·         The teacher will ask students to suggest recent events that might be recorded differently depending on the author and the author’s experiences. For example, someone who lived in Eastern Ontario would have a different perspective on the ice storm of January 1998 than someone living in the southwestern part of the province.

·         Together with students, the teacher will discuss how the author’s description of a character or event influences the reader’s opinion of that character or event. For example, two people may witness an accident occur, but not necessarily see the same things. People can discuss the same issue but not necessarily agree on it.

·         Discuss how a reader’s personal experience can also affect his or her interpretation of a character’s actions. For example, if you do not have a sibling, it’s hard to understand sibling rivalry.

·         In their Portfolios of Written Work, ask students to reflect on how personal experience and viewpoint can affect relationships in the community and in the workplace.

·         The teacher will provide students with samples of friendly and formal letters, journals and diaries to examine for form and content. With the teacher, students will create a checklist of items they believe should be evident in a letter, journal or diary entry.

·         Students will brainstorm a list of events from the stories read in their small groups that could be used as the topic of a letter, journal, or diary entry.

·         Students will assume the identity of a specific character from one of the stories and write a letter, journal, or diary entry based on an event in that story. Students will adhere to the character’s description and viewpoint. Vocabulary and sentence style should be similar to that used in the short story.

Assessment/Evaluation Techniques

Formative Assessment

·         Informal teacher observation of participation in group activity and class discussion

·         Checklist on the content of a letter, journal or diary entry designed by the teacher and students

·         Peer/self editing as part of the writing process

·         Peer/teacher conference to provide feedback on writing

·         Feedback on completed letters or diary entries

·         Portfolio of Written Work entries

·         Personal Dictionary entries

Accommodations

·         Preferential/strategic seating

·         Dual language dictionaries

·         Peer tutor or help from Special Education staff

·         Use of word processor for composing and editing assignment

·         Assistance with organizational skills

·         Review time management techniques

·         Flexible timelines

Resources

Holy Bible, New Revised Standard Version, Catholic Edition. Tennessee: The Catholic Bible Press, a division of Thomas Nelson, Inc., 1993.

New Jerome Biblical Commentary and other such books available from the Religion Department

Contemporary short story anthologies which reflect the diversity of Canadian culture such as:

Barry, James, et al. Coast to Coast. Scarborough: Nelson, Canada, 1995.

Barry, James, et al. Laugh Lines. Scarborough: Nelson, Canada, 1993.

Barry, James, et al. On the Edge. Scarborough: Nelson, Canada, 1994.

Borovilos, John. Breaking Through, A Canadian Literary Mosaic. Scarborough: Prentice Hall, Canada Inc., 1990.

Hancock, Geoff, ed. Silver Anniversary Anthology: Canadian fiction Magazine. Kingston, Ontario: Quarry Press Inc., 1997.

Hannon, Ed, et al. Canadian Experience in Perspective. Toronto: Harcourt Brace, Canada Inc., 1994.

Saliani, Don. The Environment: Exploring Fiction, Poetry, and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Salani, Don. Immigrant Experiences: Exploring Fiction, Poetry, and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Terpening Jon. Science in Literature: Exploring Fiction, Poetry and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Tuinman, Jaap, et al. Breaking Ground. Toronto: Ginn, 1992.

Dictionaries and thesauri

Short story magazines such as:

Story Magazine. Story Press, Cincinnati, Ohio.

Storyteller: Canada’s Short Story Magazine. Tyo Communications, Kanata, Ontario.

Taped short stories (teacher-produced)

Computer software

Sample journal and diary entries

Sample letters, formal and personal

 

Activity 4:  “It was a dark and stormy...” Setting and Atmosphere

Time:  90 minutes

Description

The purpose of this activity is to increase the students’ understanding of the components of setting and their impact on the atmosphere and message of a short story. In small groups, students will create alternate settings for short stories and explain their impact on the atmosphere and message of the short stories to the rest of the class.

Strand(s) and Expectations

Ontario Catholic School Graduate Expectations:  2a, 2b, 2c, 2d, 3b, 3c, 4b, 4c, 4e, 4f, 5a, 5b, 5e, 5f, 5g.

Strand(s):  Reading Skills, Writing Skills

Overall Expectations:  REV.01, REV.02, REV.03, REV.04, WRV.01, WRV.02, WRV.03, WRV.04, WRV.05.

Specific Expectations:  RE1.04, RE2.02, RE3.01, RE3.02, RE4.03, WR1.01, WR2.01, WR2.03, WR3.01, WR3.02, WR3.03, WR4.01, WR4.02, WR4.03, WR4.04, WR5.02, WR5.03, WR5.04.

Planning Notes

·         Prepare an outline of the various components of setting: historical period, season of the year, time of day, weather, location, landforms, structures or buildings, and character information needed to set the mood or atmosphere in a short story.

·         Organize the class into small groups.

·         Prepare a series of cards giving suggestions for alternative components of setting – the future, on a farm, in the city, after a storm, in an old mansion, summer, on a deserted island, in the path of a storm, etc.

·         Prepare to model what is expected of the students by choosing a variety of alternative settings for the short story being studied.

·         Develop a checklist that will be used to assess the alternative setting presentations.

·         Refer to the students’ IEPs and make the necessary accommodations or modifications.

Prior Knowledge Required

Students will:

·         have some knowledge of the components of setting from previous English courses;

·         be able to describe the setting of a story, a movie or an event they remember;

·         be aware of the expected behaviour in group activities.

Teaching/Learning Strategies

·         The teacher will provide students with two or three different settings for one of the stories read thus far in the course.

·         As a class, students will discuss how the new settings affected the atmosphere or mood of the story.

·         The teacher will select a short story where the setting is strong and evident to the development of the plot, and one where setting is incidental.

·         The teacher will hand out the outline of the components of setting.

·         Students will read the stories silently, then, as a group, discuss the components of setting in the stories and what effect they did or did not have on each story.

·         The teacher will divide the class into small groups and distribute cards to each group on which components of various settings have been listed such as in the future, in a small town, on a busy street, during a hurricane, or on Halloween. Each group will use the cards to create an alternative setting for one of the stories they have read in the course.

·         Groups will discuss the impact of the setting on the atmosphere and message of the story.

·         The teacher will circulate among the groups to make sure all of the students understand the assignment.

·         Still in groups, students will read a very short story from a list of selections provided by the teacher, and create a different setting for the short story.

·         The teacher will provide students with the checklist that will be used to assess the setting presentations.

·         Each group will summarize the story as it was written, and then present the alternate setting.

·         Students will vote, by show of hands, on whether or not the new setting improved the story.

·         Students will then make inferences and draw conclusions about the impact of the setting on the meaning, values and interpretation of a short story, and record these thoughts/opinions in their Portfolios of Written Work.

Assessment/Evaluation Techniques

Formative Assessment

·         Conference to ensure all students are on task and experiencing no problems with the assignment

·         Informal teacher observation of group work

·         Alternate settings checklist

·         Portfolio of Written Work entries

·         Personal Dictionary entries

Accommodations

·         Preferential/strategic seating

·         Dual language dictionaries

·         Peer tutor or help from Special Education staff

·         Review time management techniques

·         Flexible timelines

Resources

Contemporary short story anthologies which reflect the diversity of Canadian culture such as:

Barry, James, et al. Coast to Coast. Scarborough: Nelson, Canada, 1995.

Barry, James, et al. Laugh Lines. Scarborough: Nelson, Canada, 1993.

Barry, James, et al. On the Edge. Scarborough: Nelson, Canada, 1994.

Borovilos, John. Breaking Through, A Canadian Literary Mosaic. Scarborough: Prentice Hall, Canada Inc., 1990.

Hancock, Geoff, ed. Silver Anniversary Anthology: Canadian fiction Magazine. Kingston, Ontario: Quarry Press Inc., 1997.

Hannon, Ed, et al. Canadian Experience in Perspective. Toronto: Harcourt Brace, Canada Inc., 1994.

Saliani, Don. The Environment: Exploring Fiction, Poetry, and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Salani, Don. Immigrant Experiences: Exploring Fiction, Poetry, and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Terpening Jon. Science in Literature: Exploring Fiction, Poetry and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Tuinman, Jaap, et al. Breaking Ground. Toronto: Ginn, 1992.

Short story magazines such as:

Story Magazine. Story Press, Cincinnati, Ohio.

Storyteller: Canada’s Short Story Magazine. Tyo Communications, Kanata, Ontario.

Taped short stories (teacher-produced)

 

Activity 5:  “So what happened?” Summary and Plot

Time:  120 minutes

Description

The purpose of this activity is to increase the students’ understanding of the elements of plot and how these elements are used to advance the action in a story. Students will identify the elements of plot such as setting, initial incident, rising action, crisis, climax and falling action. They will also distinguish between the plot (the basic story line) and the summary (a synopsis of all the information in the story including theme, atmosphere and character motivation) and explain the purpose of each. Students will produce a comic strip or another form of illustrated print to illustrate the plot and summary of a short story.

Strand(s) and Expectations

Ontario Catholic School Graduate Expectations:  1j, 2a, 2b, 2c, 2d, 3b, 3c, 4b, 4e, 4f, 5b, 5g.

Strand(s):  Reading Skills, Writing Skills

Overall Expectations:  REV.01, REV.02, REV.04, WRV.01, WRV.02, WRV.03, WRV.04, WRV.05.

Specific Expectations:  RE1.04, RE2.02, RE4.03, WR1.01, WR2.01, WR2.03, WR3.01, WR3.02, WR3.03, WR4.01, WR4.02, WR4.03, WR4.04, WR5.02, WR5.03, WR5.04.

Planning Notes

·         Gather a variety of simple, well-known comic strips from newspapers, magazines, etc. As much as possible, the comic strips should reflect the moral code of the school.

·         Select a short story which has a clearly defined plot for students to read.

·         Collect paper, markers, scissors, glue, etc. that students will need to create their own comic strips.

·         Discuss ways that students can be motivated to draw with the Visual Art teacher. If possible, have him/her visit the class and give the students’ tips on drawing.

·         The goal here is to demonstrate and have students work with the concept of graphic illustration combined with print (graphical text) as a common form. Forms of illustration other than comics (stick figures, pictures, etc.) are appropriate clues to text and contribute to literary development.

·         Students who are unwilling to draw may prefer to use a collage to do their comic strip. Have a selection of magazines available that can be cut up for that purpose.

·         Have an overhead projector and transparencies available in the class. Have at least two comic strips on overheads for class discussion.

·         Refer to the students’ IEPs in order to make the necessary accommodations and/or modifications.

Prior Knowledge Required

Students will:

·         be familiar with the layout of a comic strip;

·         be familiar with the basic elements of plot from previous English courses;

·         be able to summarize a short story;

·         understand the expectations for group work and classroom behaviour.

Teaching/Learning Strategies

·         Students will read a teacher-selected short story with a clearly defined plot.

·         As a group, the class will summarize the story on the board discussing all aspects of the story: the characters, the theme, the point of view, the setting and the events in the story.

·         The teacher will ask students to identify the elements of plot, and on an overhead, will list the key plot points for the story.

·         Students will examine the plot as listed and the summary and discuss which contains more information and why. Ask students when it might be advantageous to be able to give only the facts as one does when graphing a plot (e.g., witnessing an accident, explaining a situation, taking notes, giving instructions in the workplace or giving a report to a supervisor at work)

·         Using the overhead projector, the teacher will show students a comic strip and ask them to summarize the comic strip.

·         Ask students how they were able to summarize the comic strip. Make sure the students understand how the pictures in each block of the comic strip provide the information needed to summarize the comic strip.

·         Using an extremely simple plot graph – setting, rising action, climax, have students draw the plot graph for the comic strip. Make sure they realize that the dialogue or captions within the comic blocks help identify the plot or action in the comic strip.

·         With students, create a template for assessing the effectiveness of a comic strip.

·         Show a second comic strip and have students use the template they have just created to assess the effectiveness of the comic strip.

·         Divide the class into small groups.

·         Using the short story previously read, students will design a comic strip, with captions, to illustrate one event in the story. Students may draw or cut and paste their comic strips. A minimum of four blocks is required.

·         Students will post their comic strips in the classroom for the rest of the class to enjoy.

·         In their Portfolios of Written Work, students will explain how they can use the plot graph strategy in other ways in their daily lives.

Assessment/Evaluation Techniques

Formative Assessment

·         Teacher conferencing to provide feedback during the creation of the comic strip

·         Informal teacher observation of group work

·         Self/peer editing of the captions

·         Teacher/class created template for assessing a comic strip

·         Portfolio of Written Work entry

·         Personal Dictionary entry

Accommodations

·         Preferential/strategic seating

·         Dual language dictionaries

·         Assistance with organizational skill

·         Flexibility of timelines and length of assignment

·         Additional help from Special Education staff

Resources

Contemporary short story anthologies which reflect the diversity of Canadian culture such as:

Barry, James, et al. Coast to Coast. Scarborough: Nelson, Canada, 1995.

Barry, James, et al. Laugh Lines. Scarborough: Nelson, Canada, 1993.

Barry, James, et al. On the Edge. Scarborough: Nelson, Canada, 1994.

Borovilos, John. Breaking Through, A Canadian Literary Mosaic. Scarborough: Prentice Hall, Canada Inc., 1990.

Hancock, Geoff, ed. Silver Anniversary Anthology: Canadian fiction Magazine. Kingston, Ontario: Quarry Press Inc., 1997.

Hannon, Ed, et al. Canadian Experience in Perspective. Toronto: Harcourt Brace, Canada Inc., 1994.

Saliani, Don. The Environment: Exploring Fiction, Poetry, and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Salani, Don. Immigrant Experiences: Exploring Fiction, Poetry, and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Terpening Jon. Science in Literature: Exploring Fiction, Poetry and Non-fiction. Toronto: Harcourt Brace, Canada Inc., 1995.

Tuinman, Jaap, et al. Breaking Ground. Toronto: Ginn, 1992.

Dictionaries and thesauri

Short story magazines such as:

Story Magazine. Story Press, Cincinnati, Ohio.

Storyteller: Canada’s Short Story Magazine. Tyo Communications, Kanata, Ontario.

Taped short stories (teacher-produced)

 

Activity 6:  “Once upon a time...” Be the Author

Time:  180 minutes

Description

The purpose of this activity is to integrate all of the characteristics and elements of the short fiction covered in this unit. Students will demonstrate an understanding of short fiction and its elements by writing their own short fiction.

Strand(s) and Expectations

Ontario Catholic School Graduate Expectations:  2c, 2d, 3b, 3d, 4e, 4f, 5b, 5g, 7d.

Strand(s):  Reading Skills, Writing Skills

Overall Expectations:  REV.02, WRV.01, WRV.02, WRV.03, WRV.04, WRV.05.

Specific Expectations:  RE2.02, WR1.01, WR2.02, WR2.03, WR3.01, WR3.02, WR3.03, WR4.01, WR4.02, WR4.03, WR4.04, WR4.05, WR5.02, WR5.03, WR5.04.

Planning Notes

·         If possible, gather short stories written by previous students or classes to use as examples.

·         Reserve time in the Library/Resource Centre and Computer Lab for research and the production of the short stories.

·         For students who may be interested, look for possible short story contests in which students could enter their stories, including the annual OECTA writing contest.

·         Decide on a forum for students to exhibit their work, either inside or outside of the school. Although the intent is to share the stories with an audience outside of the school, such as with Senior Citizens, elementary school students, nursery school students, etc., if such is not available to students, the teacher should consider putting together a student anthology. The anthology could be in a print or taped format.

·         Refer to the students’ IEPs in order to make any necessary accommodations and/or modifications.

Prior Knowledge Required

Students will:

·         have some experience with creative writing;

·         understand the elements of a short story;

·         be aware of the different levels of language;

·         have some knowledge of computers in order to use word processing software.

Teaching/Learning Strategies

·         The teacher will share some examples of short stories written by previous students with the current class.

·         The teacher will inform students that their short fiction will be given a wider audience than the classroom, and ask them to suggest possible venues for their work to go with those the teacher has selected. Discuss the possibility of writing contests for those students who might like to submit their work.

·         The teacher will lead the whole class in a brainstorming session to provide possible topics for short fiction. It may be necessary to remind students of their reading audience and what is and what is not appropriate material for a Catholic school.

·         The teacher will provide students with the rubric (see Appendix 2.3) that will be used to assess their short stories, or if he/she prefers, a rubric may be developed in consultation with the students.

·         Students will select a genre, theme, and point of view for their short fiction.

·         Students will select an audience for their stories and be prepared to use the appropriate style and level of language.

·         Each student will write and publish a short fiction using all steps of the writing process, including peer and self-editing (see Appendix 2.2), computer software, and his/her own creative ideas. Students may illustrate their stories if they wish, but illustrations are not a requirement of the assignment.

·         Published works will be given public audience. Students will be given ample time to rehearse before presenting their material.

Assessment/Evaluation Techniques

Formative Assessment

·         Student-teacher conferences for feedback on writing

·         Informal teacher observation of students at work

·         Short Fiction Peer and Self-editing Checklist (Appendix 2.2)

·         Peer conferences

Summative Assessment

·         Short Story Rubric (Appendix 2.3)

·         Portfolios of Written Work Rubric (Appendix 1.18)

·         Personal Dictionary Rubric (Appendix 1.19)

Accommodations

·         Preferential/strategic seating

·         Graphic organizers to assist in writing a short story, e.g., plot graphs, outlines, etc.

·         Dual language dictionaries

·         Peer tutor or help from Special Education staff

·         Flexible timelines and assignment length

Resources

Samples of student written short stories

Dictionaries and thesauri

Word Processing programs

Magazines for writers including:

Writer’s Digest. F&W Publications, Cincinnati, Ohio.

Writer’s Journal. Val-Tech Media, Perham, Minnesota


Appendix 2.1

Twenty Questions Activity

 

Aim

Students will hone their interrogation skills in order to get optimal, crucial, unambiguous information by asking succinct question and analysing the answers.

Students will use this technique to identify the theme of a work of fiction.

Activity

The teacher will divide the students into groups.

1.   The teacher will tell the students exactly what they will be attempting to discover from the other groups. In this case, students will be trying to identify the theme of narrative fiction assigned to each group.

2.   Students will formulate Yes/No questions with the aim in mind (e.g., Does the story take place today? Does the story take place during a war? Is the main character an adult? etc.).

3.   The teacher will direct each group to prepare questions to ask another group. To do this, students will use the questions they prepare to find the theme for their group’s narrative.

4.   To start the activity, each group will be given a different narrative to read. Students will formulate a number of questions with Yes/No answers to use to find the theme of their particular narrative. When that is done, students will verify with the teacher that they have made the correct choice of theme, and then write a one or two sentence synopsis of the narrative in order to present the narrative to the other groups. The synopsis must be very general in nature revealing as little as possible about the plot (The Good Samaritan: this is a story about a man who has an accident while travelling).

5.   If the team has not correctly identified the theme of its narrative, students will be asked to try again. When each group has correctly identified its theme, each group will take its turn to present its synopsis and answer their classmates’ questions.

6.   The responding group should answer only with Yes or No so as not to divulge any unsolicited information. The questions will continue until the interrogating group feels that the members have discovered the information for which they have been searching, and will pass their turn to the next group. Groups need not have asked the question to record it and its response, so subsequent groups should not be asking questions that have already been asked.

7.   When all groups have finished asking their questions, the teacher will direct each group, in turn, to make their hypothesis of the theme, write it out on a piece of paper along with their group name/number, and submit the hypothesis to the presenting group. The responding group will look at the guesses and identify those that are correct.

8.   If a group fails to correctly identify the theme, two more questions can be asked until a final hypothesis is made.

9.   The winning group is the group whose members have correctly identified all the themes on the first round of questions.

 


Appendix 2.2

Short Fiction Peer/Self Editing Checklist

 

Criteria

Yes

No

Comment

The title of the fiction is interesting and engaging.

 

 

 

The type of fiction chosen is appropriate to its topic and theme.

 

 

 

The setting of the fiction is clear and easy to visualize.

 

 

 

The characters are realistic and well developed.

 

 

 

The point of view is evident and maintained throughout the story.

 

 

 

Character perspective and actions are in keeping with Gospel values and ethics.

 

 

 

There is an effort made to avoid prejudicial statements and opinions keeping in mind the cultural diversity of Canada.

 

 

 

The theme of the fiction is clear and well developed.

 

 

 

The plot is easily defined and all critical elements are present.

 

 

 

The paragraphs are well structured and use a variety of sentences.

 

 

 

Dialogue is used properly.

 

 

 

The level of language is suited to the intended audience.

 

 

 

The fiction has an ending that is effective and ties up all the loose ends.

 

 

 

There are no mechanical errors.

 

 

 

Work is neat and complete.

 

 

 

The fiction indicates an understanding of real-life situations and problems.

 

 

 

 


Appendix 2.3

Short Story Rubric

 

Name:

 

Criteria

Limited Level 1

Some Level 2

Considerable Level 3

Thorough Level 4

Knowledge and Understanding

 

 

 

 

Demonstrates an understanding of the various elements and characteristics of a short story, e.g., length, genre, number and depth of characters, components of plot such as setting, climax, and conclusion, single plot line, point of view, and theme.

 

 

 

 

Thinking/Inquiry

 

 

 

 

Demonstrates imagination, creativity and thought in the way characters are described and developed, and the way the plot unfolds.

 

 

 

 

Reflection and analysis are evident in the selection of genre, theme and the development of the story.

 

 

 

 

Story reflects attitudes in keeping with the moral tone of the school.

 

 

 

 

Communication

 

 

 

 

Communicates ideas clearly in a logical, sequential manner.

 

 

 

 

Demonstrates good use of language style and vocabulary suitable for target audience.

 

 

 

 

Uses the various forms of writing, narrative, descriptive, dialogue, to communicate ideas.

 

 

 

 

Application

 

 

 

 

Applies the conventions of language such as grammar, spelling, punctuation and usage.

 

 

 

 

Uses technology correctly to edit and produce work

 

 

 

 

Story demonstrates a real-life connection to society.

 

 

 

 

Note: A student whose achievement is below level 1 (50%) has not met the expectations for this assignment or activity.

 

 


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