Course Profile Music,
Grade 9 open, Catholic
Course Overview
Course
Profiles are professional
development materials designed to help teachers implement the new Grade 9
secondary school curriculum. These materials were created by writing partnerships
of school boards and subject associations. The development of these resources
was funded by the Ontario Ministry of Education and Training. This document
reflects the views of the developers and not necessarily those of the Ministry.
Permission is given to reproduce these materials for any purpose except profit.
Teachers are also encouraged to amend, revise, edit, cut, paste, and otherwise
adapt this material for educational purposes.
Any
references in this document to particular commercial resources, learning
materials, equipment, or technology reflect only the opinions of the writers of
this sample Course Profile, and do not reflect any official endorsement by the
Ministry of Education and Training or by the Partnership of School Boards that supported
the production of the document.
©Queen’s
Printer for Ontario
Acknowledgements:
Project
Manager: Barry Elliot Windsor-Essex Catholic District
School Board (WECDSB)
Lead
Writer: Michael Seguin Catholic Central Secondary School WECDSB
Writers: Rose Jobin Holy Names Secondary School WECDSB
Gabe Gagnon St. Anne Secondary School WECDSB
Beth Dykeman St. Anne Secondary School WECDSB
Luigi Di
Fazio Catholic Central Secondary
School WECDSB
Ann Wilkie Holy Names Secondary School WECDSB
Course Overview
Music, Open, Grade 9
Identifying Information:
School: Course
Developers: Michael
Seguin, Rose Department: Arts
- Music Jobin, Gabe Gagnon, Beth Dykeman, Luigi Di District: Windsor
Essex Catholic District Fazio, Ann Wilkie,
Barry Elliott
School Board
Course Title: Music,
Grade 9, Open
Grade: 9
Course Type: Open Development Date:
Ministry Course Code: AMU10 Course Revisor(s):
Secondary Policy Document: The
Arts
Credit Value: One Revision Date:
Publication Date: April
7, 1999 Additional Codes:
Description/Rationale
This
course emphasizes the performance of music at a level that strikes a balance
between challenge and skill and is aimed at developing technique, sensitivity
and imagination. Students will participate in creative activities that teach
them to listen with understanding. They will also learn correct musical
terminology and its appropriate use.
How This Course Supports The Ontario Catholic School
Graduate Expectations
Music
is that eminent gift of God that is imbued with the power to transform and
reshape the spirituality of the human soul, uplifting it towards the Divine. To
that end, the music student is provided the opportunity to experience and grow
as a constantly forming Christian Learner. By experiencing the rich cultural
heritage which is music education, the student becomes aware of the unique role
that it plays in the Christian and secular world. No other medium has the power
to transmit the ever dynamic Gospel messages in such an awe-inspiring manner.
Finally, the student will be encouraged to look at music as a creative facet
which is part of a greater whole: namely the Catholic learner.
Unit Titles (Time and Sequence) [Units must total 110 contact hours]
|
Unit 1 |
Listening |
25 Hours |
|
Unit 2 |
Theory |
20 Hours |
|
Unit 3 |
Performance |
30 Hours |
|
Unit 4 |
Music Appreciation |
15 Hours |
|
Unit 5 |
Creating |
20 Hours |
Unit Organization
Unit #1: Listening
Time: 25
hours
Description
This
unit involves listening to live and/or recorded performances to understand the
language of music, its historical and cultural context, and how effectively its
composers and performers communicate to their audience. The music analyzed will
be drawn from a range of cultural backgrounds and the Catholic faith tradition.
This unit is intended to develop in students an understanding and appreciation
of music through practical skills including interval, melodic and rhythmic
exercises through creative work.
Ontario Catholic School Expectations: 2a,b,c,e; 3b,e;
4b,e,f,g; 5b,c,e,g,h; 7f,g
Strands: Analysis/Creation/Theory
Overall Expectations: MAV.01X, 02X, 03X, 04X,
05X, MCV.01X, 02X, 04X, MTV.02X, 03X
Specific Expectations: MAI.01X, 02X, 03X,
04X, 05X, 06X, 07X, MA2.02X, 03X, 04X, MCI.01X,02X,
08X, 11X, MTI.01X, 05X, 09X, 11X, MC2.01X, 02X
Unit #2: Theory
Time: 20 hours
Description
Theory
involves learning the symbols, concepts and conventions used in music. By
completing the expectations, students will be able to converse and express
themselves using appropriate musical terminology.
Ontario Catholic School Expectations: 2a,b,c,e;
3b,c,e; 4b,e,g; 5b; 7f,g
Strands: Theory/Analysis/Creation
Overall Expectations: MTV.01X, 02X, 03X,
04X, MCV.01X, 04X
Specific Expectations: MTI.01X, 02X, 04X,
05X, 07X, 09X, 10X, 11X, 12X, 13X, 14X, 15X, 16X,
17X, 18X, MA2.03X, MC1.04X, MC2.01X, 03X, 04X, 05X, MC1.07X
Unit #3: Performance
Time: 30
hours
Description
This
unit involves the practical application of performance skills and knowledge of
theory as they relate to the performance medium. Students will sing or play,
individually and in ensembles (e.g., using voice, band instruments, string
instruments, guitar, keyboards, or other performance media).
Ontario Catholic School Expectations:
Strands: Theory/Analysis/Creation
Overall Expectations: MCV.01X, 02X, 04X, MAV.01X,
02X, 03X, 04X, 05X, MTV.01X, 02X,
03X
Specific Expectations: MC1.01X, 02X, 03X,
04X, 05X, 06X, 07X, 08X, 09X, 10X, 11X, 12X,
13X, MC2.01X, 02X, 03X, 04X, MA1.04X, 05X, 06X, 07X, MT1.01X, 02X, 03X, 04X,
05X, 06X, 07X, 08X, 09X, 10X, 11X, 12X,
13X, 14X, 15X, MA2.01X, 02X, 03X, 04X, 05X, 06X, 07X
Unit #4: Music
Appreciation
Time: 15 hours
Description
This
unit is intended to develop in students an understanding and appreciation of
music through practical skills and creative work. The students will demonstrate
an understanding of rehearsal, performance, and audience etiquette appropriate
to various cultures and the Catholic faith tradition. Students will explore the
various roles associated with music activities to develop an understanding of the
relationship between the audience and
the performer. Emphasis will be placed on identifying musicians who have been
inspired to write music for environmental and world issues.
Ontario Catholic School Expectations:
Strands: Theory/Analysis/Creation
Overall Expectations: MCV.02X, 03X, 04X,
MAV.01X, 02X, 03X, 04X, 05X, MTV.01X, 02X, 03X, 04X,
Specific Expectations: MC2.03X, 04X, 05X,
MA1.01X, 02X, 03X, 04X, MT1.09X, 10X, 11X, 12X, 13X, 14X, 15X, 16X, 17X, 18X,
MA2.01X, 02X, 03X, 04X, 05X, 06X, 07X
Unit #5: Creating
Time: 20 hours
Description
Creating
is the innovative application of performance skills and knowledge of theory as
they relate to the performance medium. Students will engage in arranging and composing
activities. Students will improvise, interpret and compose music, using a
variety of media including computers.
Ontario Catholic School Expectations:
Strands: Theory/Analysis/Creation
Overall Expectations: MCV.01X, 02X, 03X,
04X, MAV.01X, 02X, 03X, 04X, MTV.01X, 02X, 03X, 04X,
Specific Expectations: MC2.01X, 02X, 03X,
04X, 05X, MA1.05X, 06X, 07X, MA2.02X, 03X, 04X, 05X, 06X
|
Teaching/Learning
Strategies Teaching/learning
strategies will include the following: Brainstorming - group generation of initial ideas
expressed without criticism or analysis Conferencing - student to student
and student to teacher discussion Group Work - specialized group
learning Listening - identification,
reflection, discussion, interpretation |
Assessment
Strategies The assessment plan
will include the following: Personal Communication • journals/conferencing
logs • self-assessment • student-teacher
conferences Paper and Pencil Tests • unit tests
(knowledge) • mid term
and final exams Observation • formal/informal Performance Assessment • solo/ensemble
performance Assessment tools will include: • checklist • anecdotal (refer to “Tools for
Powerful Student Evaluation” - Susan Farrell) |
Main
Resources The following
resources are required to support teaching and learning: Textbooks Standard of
Excellence
- Bruce Pearson (Neil A. Kjos, 1993) Experiencing Music -
Wingell (Alfred,1983) Musical Growth - Natalie
Kuzmich (Thompson, 1986) Encyclopedia of Music
in Canada - Kallman,
Potvin, Winters (University of Toronto Press,1981) Catholic Book of
Worship II, III - (Canadian
Conference of Catholic Bishops and Gordon V. Thompson Ltd.1980, 1995) Glory & Praise-(North
American Liturgy Resources, 1984) Alfred’s Group Piano
for Adults Lancaster,Renfrow (Alfred,1995) Computer Software Allegro by Finale - Coda Music Software |
Course Notes
This
course includes many ongoing activities that pertain to the subject area. Throughout
the year, there is a continuous involvement in liturgies (Daily prayer, Advent,
Lent Celebrations, Graduations). Performance can be included in each activity.
The choice and order of activities may be adapted and modified to suit the
distinctive needs of specific music programs. The units are intended to be
interchanged throughout the course using a spiral approach. Other activities
include community performances such as nursing homes, sporting events,
dedication/memorial services, banquets, Remembrance Day and parades. However,
the main daily focus is to build the personal performance level and the
personal spiritual level of each student through exposure to musical
experiences. The activities outlined in the units provide sample Catholic-oriented
resources in the form of books, sheet music, music scores, cassette tapes,
compact disks and useful websites. The materials can be used for any unit and
are provided as a starting point for the further gathering of resources.
Teaching
and learning in the guidance career education program involves a variety of
instructional settings and roles, as well as the involvement of community
partners. The music program may be enhanced with the inclusion of community
organization representatives and musicians as guest speakers to help educate
students about career opportunities in music. Opportunities for work experience
or Co-operative programs will help students to apply new knowledge gained in
course activities and generate interest in future career opportunities. Through
meaningful peer-related musical activities and community service (e.g.,
performance in community organizations or school-related activities) students
will gain a greater understanding of the community thus creating tolerance for
cultural differences.
Activities
have been designed to include practical experience with the use of computers
and software programs as they relate to the music industry. Students will learn
safety practices with regard to the music classroom. The safe care of
equipment, as well as attention to storage, hygiene, and posture are issues
that will be reinforced throughout all activities. In adult-oriented courses,
extra emphasis would be placed on the sharing of prior learning and life
experience to enhance the learning opportunities. Through the creation of a
positive learning environment based on Gospel values and Catholic faith
tradition, which includes the activities and considerations outlined in this
course, a positive orientation to life will be greatly enhanced.
Students
are exposed to personal and social Catholic moral teaching through the
listening and critiquing of musical pieces, both liturgical and secular.
Through varied activities, such as large and small group discussion, journal
writing and performance analysis, the student will learn to distinguish those
musical pieces and creations which are both historically and presently part of
the Catholic faith tradition. The culmination of this being the ability to
distinguish and understand the difference between what is and is not part of
our tradition, ultimately allowing the student to create and extend their
personal ministry both in and outside the global Catholic faith community.
Catholic
teachers should be aware that there exists a rich tapestry that ultimately forms
the musical history of our Church. In an attempt to convey what is both the
historical and cultural background of music within our faith, special care
should be given to the official teaching of what the Magisterium calls “a
treasure of inestimable value, greater than that of any other art.” (Catechism
of the Catholic Church #1156) It is therefore important that the Catholic
teacher be made aware of the following resources:
Catechism
of the Catholic Church
Concacan
Inc.- Libreria Editrice Vaticana, 1994, for the English Translation in Canada
Published
by the Canadian Conference of Catholic Bishops
(Of
particular interest-#1156, #1157, #1157, #1191)
Constitution
on the Sacred Liturgy Vatican Council II
Chapter
VI Sacred Music
Pastoral
Instruction on the Means of Social Communication Pope Paul VI
By
the Pontifical Council for Social Communication
Communio
et Progessio
3.
Education, Culture and Leisure
Ceremonies
of the Modern Roman Rite
Chapter
3 Ministries The Choir
Our
Sunday Visitor’s Encyclopedia of Catholic History CD-ROM
©
1995 Our Sunday visitor, inc.
Lives
of the Saints CD-ROM
©
1997 Harmony Media inc.
Welcome
to the Catholic Church CD-ROM (WTTCC)
Harmony
Media Inc. ©
1996
OSS Policy Applications
The
program is designed to equip students with the knowledge and skills they will
need to lead productive lives in the twenty-first century. The program will
prepare students for further education and employment and will lead them to
become independent, productive and responsible members of society. The course
will promote the acquisition of essential knowledge and skills by all students
and at the same time allow students to begin to focus on their areas of
strength and interest.
Course Evaluation
Teachers
may assess the effectiveness of their course in many different ways:
In
class, the effectiveness may be measured by assessing student contribution to
discussion, looking at individual student progress and score results. A course
critique filled out by the students containing such things as likes/dislikes
and suggestions for improvement could be sample questions. The ultimate
assessment of course effectiveness is observing the student expanding personal
knowledge by accepting greater challenges for personal growth (i.e. joining
church/community bands/choirs, auditioning for music theatre, accepting
personal leadership opportunities) and continuing further music studies at the
university/college level.
Ontario Catholic School Graduate Expectations
The graduate is expected to be:
A Discerning Believer Formed in the
Catholic Faith Community
who
CGE1a
-illustrates a basic understanding of
the saving story of our Christian
faith;
CGE1b -participates
in the sacramental life of the
church and demonstrates an understanding of the centrality of the Eucharist to
our Catholic story;
CGE1c
-actively reflects on God’s Word as communicated through the
Hebrew and Christian scriptures;
CGE1d -develops attitudes
and values founded on Catholic social
teaching and acts to promote social responsibility, human solidarity and
the common good;
CGE1e -speaks the language of life... “recognizing that
life is an unearned gift and that a person entrusted with life does not own it
but that one is called to protect and cherish it.” (Witnesses to Faith)
CGE1f -seeks intimacy with
God and celebrates communion with
God, others and creation through prayer and worship;
CGE1g -understands that
one’s purpose or call in life comes from
God and strives to discern and live out this call throughout life’s journey;
CGE1h -respects the faith traditions, world religions and
the life-journeys of all people of good
will;
CGE1i -integrates faith with life;
CGE1j -recognizes that “sin,
human weakness, conflict and forgiveness are part of the human journey” and
that the cross, the ultimate sign of forgiveness is at the heart of redemption. (Witnesses to Faith)
An
Effective Communicator
who
CGE2a -listens actively and
critically to understand and learn in light of gospel values;
CGE2b -reads, understands and uses written
materials effectively;
CGE2c -presents information and ideas clearly and
honestly and with sensitivity to others;
CGE2d -writes and speaks fluently one or both of
Canada’s official languages;
CGE2e -uses and integrates
the Catholic faith tradition, in the critical analysis of the arts, media,
technology and information systems to enhance the quality of life.
A
Reflective and Creative Thinker who
CGE3a -recognizes there is more grace in our world
than sin and that hope is essential in facing all challenges;
CGE3b -creates, adapts,
evaluates new ideas in light of the common good;
CGE3c -thinks reflectively
and creatively to evaluate situations and solve problems;
CGE3d -makes decisions in light of gospel values
with an informed moral conscience;
CGE3e -adopts a holistic approach to life by
integrating learning from various subject areas and experience;
CGE3f -examines, evaluates
and applies knowledge of interdependent systems (physical, political, ethical,
socio-economic and ecological) for the development of a just and compassionate
society.
A
Self-Directed, Responsible, Life Long Learner
who
CGE4a -demonstrates a
confident and positive sense of self and respect for the dignity and welfare of
others;
CGE4b -demonstrates flexibility and adaptability;
CGE4c -takes initiative and
demonstrates Christian leadership;
CGE4d -responds to, manages
and constructively influences change in a discerning manner;
CGE4e -sets appropriate goals and priorities in
school, work and personal life;
CGE4f -applies effective
communication, decision-making, problem-solving, time and resource management
skills;
CGE4g -examines and reflects
on one’s personal values, abilities and aspirations influencing life’s choices
and opportunities;
CGE4h -participates in
leisure and fitness activities for a balanced and healthy lifestyle.
A
Collaborative Contributor who
CGE5a -works effectively as
an interdependent team member;
CGE5b -thinks critically about the meaning and
purpose of work;
CGE5c -develops one’s
God-given potential and makes a meaningful contribution to society;
CGE5d -finds meaning,
dignity, fulfillment and vocation in work which contributes to the common good;
CGE5e -respects the rights,
responsibilities and contributions of self and others;
CGE5f
-exercises Christian leadership in the
achievement of individual and group goals;
CGE5g -achieves excellence, originality,
and integrity in one’s own work and supports these qualities in the work of
others;
CGE5h -applies skills for
employability, self-employment and entrepreneurship relative to Christian
vocation.
A
Caring Family Member who
CGE6a -relates to family
members in a loving, compassionate and respectful manner;
CGE6b -recognizes human
intimacy and sexuality as God given gifts, to be used as the creator intended;
CGE6c -values and honours
the important role of the family in society;
CGE6d -values and nurtures
opportunities for family prayer;
CGE6e -ministers to the
family, school, parish, and wider community through service.
A
Responsible Citizen who
CGE7a -acts morally and
legally as a person formed in Catholic traditions;
CGE7b -accepts accountability for one’s own
actions;
CGE7c -seeks and grants forgiveness;
CGE7d -promotes the sacredness of life;
CGE7e -witnesses Catholic social teaching by
promoting equality, democracy, and solidarity for a just, peaceful and compassionate
society;
CGE7f -respects and affirms
the diversity and interdependence of the world’s peoples and cultures;
CGE7g -respects and understands the history,
cultural heritage and pluralism of today’s contemporary society;
CGE7h -exercises the rights and responsibilities
of Canadian citizenship;
CGE7i -respects the environment and uses
resources wisely;
CGE7j -contributes to the common good.
Coded Expectations: Music, Open Grade 9, Theory
Overall Expectations
MTV.01X
- identify and define in simple
terms the elements of music (i.e., rhythm, melody, timbre, dynamics, harmony,
texture, and form);
MTV.02X
- demonstrate the ability to read
and understand musical notation;
MTV.03X
- demonstrate an understanding of a
broad overview of the historical and stylistic context of music;
MTV.04X
- explain methods of production and
editing of musical recording (e.g., analog or MIDI).
Specific Expectations
MT1.01X
-
define and identify basic musical indicators of the duration (e.g., sixteenth
notes and rests through to whole notes and rests, including dotted values);
MT1.02X
- identify and describe basic
musical indicators of speed and changes in speed (e.g., andante, moderato,
allegro, ritardando, rallentando, accelerando);
MT1.03X
- identify pitches on the grand
staff, including ledger lines and using sharp, flat, and natural symbols;
MT1.04X
- identify and notate major key
signatures and scales, up to and including a minimum of four sharps and four
flats;
MT1.05X
- solve and notate the intervals
within a major scale;
MT1.06X
- define and describe
characteristics of sound and categories of sound (e.g., instrumental, vocal,
high, low, bright, dark);
MT1.07X
- identify and describe basic
musical indicators of dynamics (e.g., pianissimo through fortissimo, including
crescendo and decrescendo);
MT1.08X
- describe the difference between
consonance and dissonance in various contexts;
MT1.09X
- define and describe musical
textures (i.e., monophonic, homophonic, and polyphonic);
MT1.10X
- describe concepts of "balance
and blend";
MT1.11X
- use appropriate terminology to
describe how repetition and contrast of musical elements are used to organize
sound (e.g., phrase structure, motif and theme, imitation, verse and chorus,
bridge);
MT1.12X
- demonstrate an understanding of
the following simple musical forms: binary, ternary, popular song, and two
other simple performance forms related to a specific cultural context (e.g.,
Native drum song, Scottish pipe song);
Coded Expectations: Music, Open Grade 9, Theory (continued)
MT1.13X
- explain the function of music in a
variety of historical and cultural contexts (e.g., Indonesian gamelan, 2500
b.c.e. Turkish war cymbals);
MT1.14X
- explain the evolution of their
performance medium;
MT1.15X
- explain the evolution of musical
notation;
MT1.16X
- demonstrate an understanding of the
procedure of making an analog recording of a student performance (e.g.,
adjustment of levels);
MT1.17X
- describe the uses of various
functions found in recording equipment and sequencers;
MT1.18X
- identify and describe
MIDI-specific terms as they relate to MIDI recording (e.g., real time).
Coded Expectations: Music, Open Grade 9, Creation
Overall Expectations
MCV.01X
- play or sing technical exercises
and diverse repertoire (including their own creations when appropriate) that
reflect the theory expectations;
MCV.02X
- make artistic decisions that
affect the stylistic accuracy of their playing or singing (e.g., articulation,
phrasing, posture, dynamics, tone quality, intonation, rhythm, balance, blend);
MCV.03X
- demonstrate the effective use of
analog and/or digital technology in music applications;
MCV.04X
- demonstrate an understanding of
music literacy, at a level appropriate for the grade, using the creative
process (perception, production, and reflection).
Specific Expectations
Performing
MC1.01X
- accurately play or sing notated or
stylistically correct articulations (e.g., accent, staccato, slur);
MC1.02X
- play or sing with an understanding
of musical phrase structure (i.e., notated, improvised, or stylistically
correct);
MC1.03X
- demonstrate consistently correct
body posture;
MC1.04X
- control notated or stylistically
correct dynamics while maintaining good tone quality;
MC1.05X
- play or sing with tone quality
appropriate to the repertoire being performed;
MC1.06X
- play or sing with control within
an appropriate range (e.g., strings: two octaves; brass: one and a half
octaves; woodwinds: two octaves; voice: one and a half octaves [with
consideration for changing voices]; mallet percussion/keyboard: two octaves;
percussion: rudiments);
MC1.07X
- play or sing with accurate pitch;
MC1.08X
- play or sing with accurate
intonation both melodically and harmonically;
MC1.09X
- play or sing maintaining a
consistent tempo;
MC1.10X
- play or sing in simple and
compound metres (e.g., 4/4, 3/4, 2/4, 6/8);
MC1.11X
- accurately play or sing notated or
improvised rhythms (e.g., sixteenths through whole notes and rests, including
dotted values);
MC1.12X
- play or sing with sensitivity to
balance and blend;
MC1.13X
- play or sing a sixteen-bar melody,
using correct technique.
Coded Expectations: Music, Open Grade 9, Creation
(continued)
Composing and Arranging
MC2.01X
-
create a simple composition using
the elements of melody, rhythm, and form and a variety of media (e.g., pencil and
paper, acoustic instruments, recording equipment, MIDI technology, music
software);
MC2.02X
-
demonstrate an understanding of transposition (e.g., adapt an existing melody
for their own performance medium);
MC2.03X
-
make simple and effective creative choices in performance within musical
parameters (e.g., use call and response; ornament existing melodies; improvise
a melody; add dynamics, articulation, and tempi to existing music);
MC2.04X
- make artistic decisions about
aspects of performance in individual and group situations;
MC2.05X
-
use analog and/or digital recording technology to demonstrate an understanding
of the basic processes involved.
Coded Expectations: Music, Open Grade 9, Analysis
Overall Expectations
MAV.01X
- demonstrate an understanding of
music history and its cultural context;
MAV.02X
- demonstrate the ability to listen
attentively and with discernment to live and recorded music, using the stages
of critical analysis (initial reaction, description, analysis, interpretation,
and judgement);
MAV.03X
- demonstrate an understanding of
the effects of music education on themselves and their peers;
MAV.04X
- demonstrate an understanding of
the function of music in society;
MAV.05X
- identify connections between music
education and various careers.
Specific Expectations
Listening
MA1.01X
- identify and describe, orally and
in writing, the elements of music (see "Theory" above) from a variety
of live and/or recorded examples;
MA1.02X
- identify and describe, orally and
in writing, how the elements of music work together in a particular historical
style and cultural context in a variety of musical works that are dealt with
chronologically, conceptually, thematically, and/or by genre (e.g.,
chronologically: Baroque, classical, Romantic, contemporary, jazz, popular
music, etc.; conceptually: rhythmically oriented music, melodically oriented
music, loud or quiet music, music of a specific texture, etc.; thematically: music
for celebration, music for dance, music for film, music for rituals, music that
tells stories, patriotic music, etc.; by genre: impressionism, ragtime, big
band, jazz, rock 'n' roll, Kodo, Ghanaian drumming, aboriginal songs, Canadian
Maritime music, etc.);
MAV.03X
- analyse, orally and in writing,
the quality and impact of a variety of live and/or recorded performances, using
appropriate music vocabulary;
MAV.04X
- analyse the quality of their own
and their peers' performances, using appropriate music vocabulary to suggest
ways of improving those performances (e.g., style/groove, intonation, tone
quality, dynamics, articulation, phrasing, rhythm, balance and blend, overall
effect);
MAV.05X
- clap back, aurally identify, and notate
given rhythms in up to two measures in 4/4, 3/4, or 2/4, using eighth through
whole notes and rests, including dotted values;
MAV.06X
- reproduce, aurally identify, and
notate given intervals in a major scale (i.e., P1, +2, +3, P4, P5, +6, +7, P8);
MAV.07X
- reproduce and notate simple
melodies: up to two measures in 4/4 and 3/4, using eighth through whole notes
and rests, including dotted values, within an octave.
Coded Expectations: Music, Open Grade 9, Analysis
(continued)
Self and Community
MA2.01X
- explain the effects of physical
fitness and health habits on music performance skills;
MA2.02X
- identify and describe their own
strengths and needs at various points in the course and work towards improving
themselves in identified areas;
MA2.03X
- reflect on learning by maintaining
a journal and/or practice log to record progress;
MA2.04X
- demonstrate an understanding of
rehearsal, performance, and audience etiquette (appropriate to the cultural
context);
MA2.05X
- describe the distinctive nature of
participating in the various roles associated with music activities (e.g.,
soloist and accompanist, ensemble member or leader);
MA2.06X
- demonstrate an understanding of
the relationship of the audience and performer (e.g., attend a live performance
and respond to it orally or in writing, using terminology appropriate for the
grade);
MA2.07X
-
identify how skills developed in music are
applied in various music-related careers.
Continue
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